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He then quits the police force and moves to Texas and works for Sysco , the family business. After a car crash on the way to a homosexual tryst, Steven leaves his family and life behind, though he keeps in touch with his wife and young daughter, and explores the world as his true self — a gay man. He moves to Miami , where he finds a boyfriend, Jimmy, and they adopt a luxurious lifestyle.

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To keep themselves in the style to which they have become accustomed, Steven becomes a con man. He is pursued by the police, and, after jumping off a parking garage, is sent to prison, where he falls in love with inmate Phillip Morris.

Steven cannot bear to be separated from Phillip. After being released, he helps get Phillip freed from prison by posing as a lawyer, then attains wealth by fraudulently acquiring a position as Chief Financial Officer of a large medical management company called USAMM. Steven is eventually caught embezzling. He asks the police for Phillip's insulin and injects himself. He goes back to prison, where Phillip is also sent as an accomplice and angrily tells Steven he never wants to see him again.

Heartbroken, Phillip calls Steven while he is in the infirmary and confesses that, while he is still upset with Steven for lying to him, he still loves him. Phillip is later told that Steven has died.

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Sometime later, Phillip is taken to meet with his lawyer and finds Steven waiting for him. Steven describes how he faked dying of AIDS, to be allowed to see Phillip again, and promises never to lie to him again. He runs one last con to break Phillip out of prison, only to be caught when he runs into an old co-worker.

The end of the movie explains that the real-life Phillip was released from prison in ; but Steven was given a life sentence and is in hour lockup, only having one free hour a day to shower and exercise, which the film implies to be because an official involved in the sentencing had a brother-in-law who was conned by Russell.

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The last scene shows Steven laughing joyfully while running across the prison yard, guards in pursuit, in another attempt to be with Phillip. After original difficulty finding a U. A Christian blogger stated that warden Burl Cain did not permit one sex scene between two male inmates to be filmed at the prison. Although a limited run in the United States was initially scheduled for April 30, , it was later reported that the film's release had been indefinitely postponed by its distributors, Consolidated Pictures Group [8] but on April 12, , Variety announced the distributor had had a change of heart and that I Love You Phillip Morris would be shown in limited theaters starting July 30 before expanding nationwide on August 6.

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On June 3, , the film was delayed yet again due to legal battles. The film was finally released on December 3, , after Roadside Attractions and Liddell Entertainment acquired the rights to distribute in the United States.

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The critical consensus is: Star Trek Supernatural RPF: Jump to: Undercover in a Gay Bar See Also: Retrieved from " https: Navigation menu Personal tools Create account Log in. Namespaces Page Talk. The pair travel to Niagara Falls in Canada for a quick same-sex marriage at a wedding chapel and begin living together. At a gay benefit costume party, the partygoers are confronted by homophobic protesters. Chuck is provoked into punching their leader, and the incident is picked up by the local news. With their apparent homosexuality and marriage revealed, Chuck and Larry are heckled, and their fellow FDNY firefighters refuse to work with them.

Their only ally is Fred G. Duncan, an angry, intimidating firefighter who comes out to Chuck.

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Chuck becomes romantically interested in Alex after the two spend time together, but finds himself unable to get close to her because she thinks he is gay. In another meeting at her apartment, Chuck and Alex are making charm bracelets. They soon kiss, but Alex, still believing Chuck is gay and married, is shocked and immediately distances herself from Chuck. Meanwhile, city agent Clinton Fitzer arrives to investigate the couple, and the strain on both Larry and Chuck causes them to fight.

Larry learns about the kiss and confronts Chuck about it, asserting that Chuck's absence is jeopardizing their ability to maintain the ruse of their relationship.


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During the argument, Larry reveals that he is still in love with his deceased wife, Paula, and Chuck responds that he needs to move on for the sake of his children. Later that evening, a petition circulates to have Chuck and Larry thrown out of the firehouse. Upon discovering it, a hurtful Larry confronts the crew about personal embarrassments on the job that Chuck and Larry helped them overcome. Afterwards, Chuck and Larry apologize to each other and reconcile their differences. Eventually, numerous women publicly testify to having slept with Chuck in the recent past, and the couple is called into court to defend their marriage against charges of fraud.

They are defended by Alex, and their fellow firefighters arrive in support, having realized all that Chuck and Larry have done for them over the years. Fitzer interrogates both men, and eventually demands the pair to kiss to prove that their relationship is physical. Tucker, who reveals their marriage to be a sham and that they are both straight. He then offers to be arrested as well, since he knew about the false relationship but failed to report it. This prompts each of the other firefighters to claim a role in the wedding in a show of solidarity.

Chuck, Larry, and the other firefighters are sent to jail, but they are quickly released after negotiating a deal to provide photos for an AIDS research benefit calendar, and Chuck and Larry keep their benefits. At the wedding party, Larry moves on from the death of his wife and talks to a new woman, while Alex agrees to a dance with Chuck. Producer Tom Shadyac had planned this film as early as In the official trailer , the song "Grace Kelly" by British pop star, Mika, was included.

USA Today called it "a movie that gives marriage, homosexuality , friendship, firefighters, children and nearly everything else a bad name.

The New York Post called it not an insult to homosexuality but to comedy itself. Nathan Lee from the Village Voice wrote a positive review, praising the film for being "tremendously savvy in its stupid way" and "as eloquent as Brokeback Mountain , and even more radical.